Project Description
Lost Souls is a long term project taking the urban landscape as a metaphor for our insulation from the natural world. As the world’s population becomes increasingly attracted to living in large conurbations, our connection to the environment becomes increasingly fragile.
In the heart of London’s financial district the human figure is shown in a dark bubble, lost in thought oblivious to the world around them. Attention is taken by the screens of phones held by scurrying figures where the immediate is of primary concern. A broken screen interrupts that connection and throws the present into a distant, deep time. This contrast shows itself in unexpected and ignored corners of the city where nature is finding its own way through the concrete fabric. These areas act as a metaphor for natures ability to find its own way but also how we ignore it at our own peril. The abstract cityscapes are shown without context and therefore elude the element of knowable scale. The effect is to wonder whether these are landscapes in the macro or micro, nature studied as close ups or as larger weather systems seen from space. The stalactites formed by years of dripping water hint at time as a period beyond our own existence and provide a context and contrast to the day to day culture of our cities. Here we are thrown back to a deep geological time, even though it could be seen at our feet if we bothered to look.
This project provides a nudge for us to look up, look around and notice even the smallest and most inconsequential elements that surround us. The signs that nature and life give us are there to see if we look carefully and mindfully. It is our senses that we must trust and reconnect with before we lose that most natural of our human instincts at our own cost.
Bio
Ed Sykes is a photographer and visual artist based in London. Ed’s practice focuses on landscape and changes to the environment as a result of natural processes and human activity. This approach is in conjunction with a re-working of photographic materials and a disruption of traditional photographic production. The processes and effects of climate change are often replicated during the image making process itself. 1000 Degrees used a blow torch to melt photographic negatives at a heat similar to the furnaces that propelled the Industrial Revolution. The work Hanging By A Thread pushed this same notion to the picture frames which were sourced secondhand and then the wooden surrounds were charred in a similar way to the subject matter of wildfires. Other approaches have involved sanding and abrasion echoing the effects of coastal erosion and also the use of soluble paper, the dissolution of an image in water, mimicking flood damage. Recently a recipient of Arts Council DYCP grant for a project titled Eco Matters and Sustainable Processes. This saw Ed travel along East Coast and some of Europe’s fastest eroding coastlines, embedding a new creative approach to climate change, environment and the anthropocene. In 2021 he was nominated for Prix Pictet Award with his series 1000 Degrees a response to the historical, industrial exploitation of natural resources in UK.
Lost Souls
Hariban Award 2024